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archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.

Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.

[via Colossal and Demilked]

(via prairiehamster)

Source: archiemcphee
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elvisomar:

Edward Gorey Illustrations from a 1960 edition of War of the Worlds by H.G. Wells, published by Looking Glass Library.

Yes. That’s right, you heard me right the first time.

(via annlarimer)

Source: elvisomar
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archiemcphee:

This awesome arboreal dwelling is the Living the High Life Tree House created by Blue Forest, a British tree house design and construction firm. It’s a luxury family-sized complex featuring two separate tree houses, one for kids and one for their parents. The elevated dwellings are connected by a network of rope bridges which also lead to an adventure play area and an assault course, the latter of which is also accessible via an 80-yard zip line.

It may look rustic, but this is a top-of-the-line tree house. The kids’ house features three medieval towers, and inside one of them a concealed hatch in the upper floor leads to a secret game room containing a plasma TV and video game console. Meanwhile the grown-ups’ treehouse features a conical thatched roof and interior walls made of hand-split oak shingles and cedar tongue-and-groove boards. Inside there’s a kitchen (complete with plenty of wine storage), bathroom, and a large open living area for treetop entertaining. The complex also features accommodations for guests of the family.

Head over to the Blue Forest website to check out more of their amazing custom-built tree houses.

[via designboom]

(via onyxthemun)

Source: archiemcphee
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lebornaciar:

gods for the modern agebaron samedi

laugh in the face of death. treat life like a carnival—chase girls, smoke cigars, drink yourself blind, and never pass up the chance for a dirty joke. keep the dead in the ground and the dying from harm’s reach. save lives, lift curses, hand out favours and come back to collect—and smile, smile as you dig the graves of those who wrong you.

(via wolvensnothere)

Source: lebornaciar
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sourcedumal:

lady-yuna:

2srooky:

mockingatlas:

prismatic-bell:

Can we just stop and talk about this for a minute?

Thresh doesn’t make an alliance. Thresh doesn’t waste time liking her. Thresh knows that either he must kill her or she must kill him for one of them to win.

But this is the only way he can repay her for protecting Rue when he couldn’t. It’s the only way he can repay her for honoring Rue when he couldn’t. He honors her by sparing her friend, the girl who would have died for her.

The revolution really doesn’t start with Katniss.

It starts with Rue.

SOMEBODY FINALLY SAID IT

This is exactly the point I’ve been trying to make for years. Okay, so the revolution gets it’s kindling with Katniss. She volunteers, well that’s new, she rebels in the display of talents by shooting the apple. This triggers her perfect score, okay. These aren’t really “Revolutionary” though. 

It’s not even revolutionary when Peeta professes his love, because, let’s face it, the rules of the game haven’t changed. They’re still just two kids who would have to KILL each other to win. Without a doubt, it would bring some interest to the games, so the Capitol makes propaganda about it. The “Star Crossed Lovers” in a game of life and death.

But what changes the game is Rue. Right away from her introduction in the books we know Rue is going to be somewhat of a big deal. She was compared to the most important character to Katniss, Prim, so that’s a huge indicator. She’s small, young, she’s what Prim would have been.

So Katniss instantly feels a subconscious pull toward her. 

When they meet in the trees, Katniss could have killed Rue easily, and Rue probably could have pulled a sneak attack or alerted the Careers of Katniss’s presence. Instead, Rue points out the Tracker Jacker nest.

Then it escalates, Rue and Katniss become an odd team, they’re an alliance, which is never new in the Hunger Games, as forming teams and then betraying them at the end seems to be a common, but there’s is different. It’s close, it’s sisterly, protective.

And then Rue get’s impaled. Katniss kills her first tribute with ease after that. Comparing it to hunting game. Katniss holds Rue, she cries, and then she sings. She sings for Rue a song of promised safety and warmth, something completely absent in the arena. 

And this is where the metaphorical canon fires. Katniss could have left Rue, the hovercraft would have been along to pick her up, but she can’t. She’s morally obligated to love this girl as much as possible. And this is where the revolution starts. 

She honors the dead. She honors a dead tribute from a district she’d never seen, a person she’d known for only a short period of time. But she throws away Hunger Games norms. She rejects them completely.

In the Hunger Games you’re supposed to kill mercilessly and leave the victims for the plain box they’re shipped home in. 

Katniss gives Rue a funeral in the Games, she decorates the body, she makes it look like Rue is sleeping. Like no harm had come. Katniss just ignited the coals that Rue had placed.

Rue’s District sends a parachute. Homemade bread. 

Then Thresh kills Clove and distracts Cato by taking his bag. 

The fire is going now, and the actions in Catching Fire are even more obvious.

The Speech for Rue. Peeta’s painting. Everything eludes back to this one little girl who became Katniss’s family.

So the revolution never started with Katniss, she was just the tinder for Rue’s ignition. 

Rue was the real Mockingjay.

Also, who’s four note whistle is constantly attached to the trailers?

Rue’s whistle.

Rue is omnipresent in the books and movies, and I absolutely love it.

The rebellion was started because the innocence of a black girl was defiled.

That is a powerful statement that a lot of people gloss over for this book

(via wolvensnothere)

Source: taylor-swift
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ischadie:

ALERT ALERT FRANKENSTEIN, MD ALERT.

If you don’t already love Iggy, you are wrong.

(via amatteroftastepodcast)

Source: ischadie